St Silas School |
When he was 14 his father
bought him a guitar, and he taught himself to play. Whilst not the best
guitarist, he was quite good at writing songs and when he saw the 1956 film ‘Girl
can’t help it’ and a friend told him he looked like Eddie Cochrane, he was sold
on a career as a rock n roller. He took the name Stean Wade and played mostly
skiffle and some Country and Western numbers as part of the "Formby Sniffle Gloup."
( the name reflecting Ron´s teenage humour). Early in 1958 Ron entered the Percy F. Phillips´ recording
studio in Liverpool and cut a 78 r.p.m. acetate. Accompanied only by his
guitar, he went through four Elvis Presley numbers and even one of his own self
penned compositions entitled "Love´s A Callin´". A tape of the songs
and a photograph of the young man was sent to impresario Larry Parnes, the big
man of British pop, who already had in his stable such names as Tommy Steele
and Marty Wilde. Larry asked him to meet him at the Essoldo Theatre, in
Birkenhead, where his current presentation, the Extravaganza Show, was
headlining. Parnes was so impressed with the young scouser he pushed him on
stage to perform two of his own songs and the audience just loved them. Larry
signed him immediately and Stean Wade became Billy Fury. Within days the new
teen sensation had a record contract with Decca Records and in 1959 “Maybe
Tomorrow” was released and became a hit
record. In 1960 Colette was released while he was on tour with Parnes’ and
charted at number 9. Colette became his biggest success, so far. Billy’s
records continued to sell well and his tours were very popular. The man had
animal magnetism and his live shows were earthy for the time. He knew exactly
the importance of screaming fans practicing his stage craft for hours. This did
not meet with approval from the guardians of morality who fearing the arrival
of R’n 'R as the beginning of the end, began a campaign to ban the singer.
Recognizing the potential impact of Fury's Elvis
Presley-influenced, hip-swivelling, and at times highly suggestive stage act,
the television producer Jack Good featured him on his shows Oh Boy!, Boy Meets
Girls, and Wham! In 1959 he made his acting début, playing a Teddy boy in
Strictly for Sparrows, a television play by Ted Willis. Fury undertook concert
tours frequently in the early 1960s but toned down his stage act after the
curtain was dropped during his performance at the Theatre Royal, Dublin, in October
1959. Parnes formed the Blue Flames, led by pianist and organist
Georgie Fame. After leaving Fury in 1962, the Blue Flames became a pioneer of
the rhythm and blues movement in London. Fury's later supporting groups were
the Tornados and the Gamblers.
From 1960 Decca decided that Fury should record versions of
American hits rather than his own compositions. Among these were ‘One thousand
stars’ ‘Halfway to paradise’ ‘Jealousy’ and ‘It's only make believe’ With
musical arrangements by Ivor Raymonde, both ‘Halfway to paradise’ and
‘Jealousy’ earned silver discs for sales of 250,000 copies. His last major hit
was the romantic ballad ‘In thoughts of you’ in 1965, the year in which he made
his only appearance on television in the United States and his only appearance
in pantomime, ‘Aladdin’ at the New Theatre, Oxford. He starred in two light
comedy musical films, Play it Cool (1962, directed by Michael Winner) and I
Gotta Horse (1965, directed by Kenneth Hume).
Fury's popularity was to some extent affected by the arrival
of a new generation of Liverpool musicians led by the Beatles. However on December
7th 1963 John, Paul, George and Ringo (the Beatles) appeared on BBC-TV on Juke Box Jury", voting Billy´s latest single, "Do You Really
Love Me Too", a hit. It was a hit, spending 10 weeks on charts eventually
reaching No. 13 spot. At the end of the year Billy & the Tornados toured
Europe; France, Germany, Denmark, Sweden, Belgium & Holland.
Billy formed his own record company, ‘Fury’, in 1971 to
release his own work and that of rock'n'roll singer Shane Fenton (later Alvin
Stardust) and others. Billy underwent surgery for heart problems in 1972 and
1976 which led to his abandoning touring.
Despite spending many weeks on the charts, Fury never
achieved a number one single, but he remained popular even after his hits
stopped. "I Will" became a US hit for Dean Martin (1965) and for Ruby
Winters (1977). In 1974 he took part in a rock'n'roll revival tour with Marty
Wilde and others and in 1978 he re-recorded his early hits for the K-Tel
company in order to raise money following his being declared bankrupt, having
apparently become the victim of unscrupulous management. He returned to
recording in 1981 and his final album, The One and Only, was released
posthumously.
In the latter part of his life he spent much of his time on
his farm on the Surrey–Sussex border. In the 1970s he purchased a 100 acre farm
near Llandovery in Carmarthenshire, where he bred horses and sheep and indulged
his interest in ornithology. His personal life was somewhat complicated: an
eight-year relationship with Audrey Valentine (Lee) Middleton ended in 1967.
(she subsequently married the disc jockey Kenny Everett). There followed a
short-lived marriage (from 31 May 1969) to Lee's friend Judith Hall, a fashion
model. The last twelve years of his life were shared with Lisa Rosen, a music
publisher.
After returning from a recording session in the early hours
of 28 January 1983, Billy Fury collapsed in his home in London. His personal
manager Tony Read found him unconscious the next morning. He was rushed to St
Mary's Hospital in Paddington, but died later in the afternoon, aged 42. A week
later his funeral was held at the St John's Wood church in London. Among the
mourners were Larry Parnes, Marty Wilde, Jess Conrad, Eden Kane, Tony Read, Hal
Carter and Mick Green, in addition to family members, friends and fans. The
choir sang a special version of Billy's Decca hit "I'm Lost Without
You". After the service Billy was buried at Mill Hill cemetery. A track
issued posthumously, "Forget Him", became his final single chart hit.
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Billy Fury Statue By Tom Murphy at the Albert Dock |
On 19 April 2003 a bronze statue of Fury was unveiled by
Jack Good at the National Museum of Liverpool Life. The sculpture, by Tom
Murphy, a Liverpool sculptor, was donated by 'The Sound of Fury' fan club after
the money was raised by fans. It is located at the Albert Dock complex.
In 2005 Spencer Leigh from BBC Radio Merseyside published a
biography book about Billy Fury called Wondrous Face – The Billy Fury Story.
Wondrous Face on Kindle
£4.80
Robert F Edwards