
Liverpool Town Hall in the 1820s
Improvements began in 1785 with an extension to the north
designed by James Wyatt. Buildings close to the west and north sides were
demolished, and John Foster prepared plans for the west façade. In 1786 Wood's
square dome was demolished and plans were made by Wyatt for a new dome over the
central courtyard. In 1795, before the new dome was built, the hall was
seriously damaged by a fire.
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The Burning Of Liverpool Town Hall by William Gavin Herdman 1805 -1882 |
Wyatt's north extension was not significantly damaged, but
Wood's original building was gutted. The building was reconstructed and Wyatt's
new dome was added. The work was supervised by Foster and completed in 1802.
Under the dome the central courtyard was replaced with a hall containing a
staircase. In 1811 a portico was added to the south side. The construction and
decoration of the interior was completed by about 1820.

In 1881 an attempt to blow up the town hall by the Fenians
was aborted. In 1899–1900 the portico on
the south face was rebuilt and extended, and the northern extension was
enlarged to form a recess in the Council Chamber for the Lord Mayor's chair. In
1921 a room on the ground floor was made into the Hall of Remembrance to
commemorate the military men from Liverpool who died in the First World War.
Part of the building was damaged in the Liverpool Blitz of 1941; this restored
after the end of the Second World War. Further restoration was carried out
between 1993 and 1995.
The Slave Trade
A little known fact is that the building of the Town Hall
was funded by Liverpool businesses and entrepreneurs many of whom had benefited
from the slave trade. In fact sixteen of
Liverpool's Mayors are said to have been slave merchants. Three centuries of slave and other overseas
trading bequeathed the City with a rich diversity of peoples, cultures,
financial wealth and architecture much of which survives to the present day.
However, the abolition of the slave trade was one of the critical steps leading
to reform and reconstruction in 19th Century Liverpool, when the City became
more conscious of the need to improve the living conditions of its citizens.
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Monument dedicated to Justice and Truth.
Liverpool's wealth in
the 17th and 18th centuries
was built on the slave trade.
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The City has acknowledged its involvement in the Slave Trade
and a formal apology was made to the black community in the year 2000.
Liverpool champions equal opportunities and diversity issues and both
recognises and values the contributions made by the black community to the
prosperity of the City.
Exterior
The town hall is built of stone with a slate roof and a lead
dome. Its plan consists of a rectangle with a portico extending to the south
and Wyatt's rectangular extension to the north. The extension is slightly
narrower than the rest of the building, and also has a projecting portico.
The building has two storeys and a basement; the stonework
of the basement and lower storey is rusticated. The south face, overlooking
Castle Street, has nine bays. Its central three bays are occupied by the
portico. This has three rounded arches on the ground floor, and four pairs of
Corinthian columns in the upper storey surrounding a balcony. The east and west
faces also have nine bays in the original part of the building, plus an
additional three bays to the north on Wyatt's extension. The middle three bays
of the nine original bays project slightly forward and are surmounted by a
pediment. The roof of the north face is higher than that of the main building.
This face has five bays, with a central portico of three bays. On its first
floor are four pairs of Corinthian columns and standing on the roof above these
are four statues dating from 1792 by Richard Westmacott; these statues have been moved from the Irish
Houses of Parliament.
Above the upper storey windows on all faces are panels
containing carvings, some of which relate to Liverpool's foreign trade.
The dome stands on a high drum supported on Corinthian
columns. Around the base of the dome are four clock faces, each of which is
supported by a lion and unicorn. On the summit of the dome is a statue,
representing Minerva or Britannia(nobody is quite sure, it is 10 feet (3 m) high and was designed by
John Charles Felix Rossi.
Interior
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"Interior of the Ball-room, Town Hall" (Liverpool)
engraved by B.Winkles after a picture by Harwood, published in Lancashire
Illustrated, 1831.
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The main door in the south face leads to the Vestibule or
Entrance Hall. It has a floor of encaustic tiles which depict the arms of
Liverpool. The room is panelled and on the east side is a large wooden
fireplace containing 17th-century Flemish carvings. It has a groin-vaulted
ceiling, and in the lunettes are murals painted in 1909 depicting events in
Liverpool's history. Below these are brass tablets containing the names of the
freemen of Liverpool. Also in the entrance hall are bardic chairs from the two
Eisteddfods held in the city. At the rear of the ground floor in Wyatt's
extension is the Council Chamber. This has mahogany-panelled walls and can seat
160 people. Adjacent to the Council Chamber is the Hall of Remembrance. On its
wall are panels bearing the names of the military men who lost their lives in
the First World War, and eight murals painted by Frank O. Salisbury in 1923.
In the centre of the ground floor is the Staircase Hall
described in the Buildings of England series as "one of the great
architectural spaces of Liverpool". A broad staircase rises between two
pairs of Corinthian columns to a half-landing, and narrower flights climb from
that on each side to the upper floor. On the ground floor on each side of the
staircase are display cabinets holding the city's silver. On the half-landing
is a statue of George Canning dated 1832 by Francis Chantrey, and hanging on
the wall above this is a portrait of Queen Elizabeth II by Sir Edward Halliday.
Above the staircase the dome is carried by four pendentives;
it rises to a height of 106 feet (32 m) and its interior is coffered. Around
the base of the dome is inscribed Liverpool's motto, "Deus Nobis Haec Otia
Fecit", ("God has given us this tranquility.")and in the
pendentives are paintings dated 1902 by Charles Wellington Furse depicting
scenes of dock labour
Upper floor
Upper floor plan
A Central
Reception Room B West Reception Room
C Dining
Room
D Large Ballroom
E Small
Ballroom
F East Reception
Room
All the rooms on this floor are designed for entertainment
and they have connecting doors that allow for a complete circuit of the floor.
The middle room on the south side of the building is the Central Reception
Room. It has a circular ceiling with pendentives, and plasterwork in
neoclassical style designed by Francesco Bernasconi.
Immediately to the north of the Town Hall is a paved square
known as Exchange Flags; this is surrounded on all sides by modern office
buildings. In the square is the Nelson Monument, celebrating the achievements
of Horatio Nelson. It is a Grade II* listed building and is the earliest
surviving public monument in the city.
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Town Hall from Exchange Flags |